Vito Acconci Movies

Torn over the pressure to perform for his audience, Acconci fantasizes about "a dancing bear" who takes his place, performing in the spotlight, doing...

This early performance tape is an example of what Acconci has termed his "quasi-ESP exercises," in which he explores mental concentration and...

"Unavailable until recently, Corrections is Acconci's first single-channel video. Back to the camera, with only his head and bare shoulders visible,...

Acconci lies naked on a gurney-like table, rocking back and forth as a tape-loop of his voice describes his anxieties about exposing his body and his...

Standing alone among beach dunes, Acconci begins to kick at the sand below him. Over the course of the film's ten minutes, this repeated action...

Acconci oftens performs controlled actions as if he had entered into a contractual agreement to test his physical limitations. In Grass/Mouth,...

"Steven Holl: The Body in Space" explores the career of the innovative, highly renowned American architect. In this portrait Holl presents some of...

A three-part video epic in which avant-garde artist Vito Acconci explores the relationship between the self and national mythology. Through multiple...

A super-8mm work documenting Acconci's audio installation piece in the Sonnabend gallery in 1972 of the same name.

A super-8mm document (blown up to 16mm) of Acconci's performance of the same name in which he covered almost the entirety of the gallery space with a...

Super-8mm footage documenting the gallery set-up for Acconci's exhibition AIR-TIME at Sonnabend Gallery in 1973.

"In this now infamous tape, exemplary of his early transgressive performance style, Acconci sits and relates a masturbatory fantasy about a girl...

Contacts is one of a series of tapes in which Acconci creates a controlled performance situation to explore the limits of a private space. Applying...

This early document is a videotaped interview ("videoview") of Vito Acconci by Willoughby Sharp during which they discuss Acconci's development as an...

A documentation of a live performance at New York University, Pryings is a graphic exploration of the physical and psychological dynamics of...

A woman kisses Acconci's body, covering him in red lipstick traces. Acconci then rubs his body against another man (Dennis Oppenheim), transferring...

In this powerful "meta-document," Acconci sits in the dark with his back to a screen, onto which are projected slides of his past works, in...

The final installment of the Conversions trilogy.

Acconci imitates the sounds of war, gunfire and explosion; he thrusts his face, stomach or penis onto the screen. His childlike battle sounds are...

"A long narrow corridor, leading to the camera—at one side, a window—sun streams in, splotches of light and dark, the corridor shimmers....